Recording and writing songs since 1993

This was 1978, Clear Lake, WA at Karl’s uncle Tom’s who was a huge influence on Blau wanting to go into rock and roll from a very young age. “What happens if I crank this up?” (photo by Tom Atwood)

MUSICAL LIFE

I’m living and thriving in Philadelphia now for the past 3 years. In Germantown in the north of Philly, you feel like it’s a little island out here. The bus systems aren’t really set up to travel to W. Philly for example, so I end up spending a lot of time in the culture here right out my back door of course being a Dad of two incredibly talented daughters and husband to a very deep artist in her own right, Calli with her Merit Of Everything clothing and food Venn diagram focus. Luckily, there are regular music happenings and I’ve been fortunate to fall into a little scene of creatives revolving around Germantown Espresso Bar, Imperfect Gallery, Attic Brewery, and The People’s Lot mostly. I’ve been rehearsing with (bassist from West Phil but otherwise) some Germantown folks. Mol and Mad Dog from Stillwatcher and Queasy and also Corinne, the bassist plays in Queasy. This band has A LOT of potential.

I’m working on this bio here below, I wrote it in 3rd person which is weird, but allowed me to be able to condense the information easier…. Here I’m putting in a nutshell (well maybe a Brazillian nut ;) ) on how I got involved in music, how my parents and family early influences created a foundation for my musical journey and where that took me, currently up to like 2015 from 1975.

[the following bio is loaded with hyperlinks that connect with a ton of music and artist references]

Karl Blau - raised by a trumpeter and French hornist on Samish Island, WA, was the only woodwind in a family of brass musicians - his 3 brothers are 2 trombonists and a trumpeter. His mother insisted all the children pursue classical music study along with learning some kind of instrument in the band. That’s how his parents met, in high school band. When Karl asked to switch from piano studies in the 6th grade to guitar hoping to spend more time with his pink electric guitar, it was classical guitar lessons. Blau spent his youth visualizing that he would become a fine artist, but by the time he left high school, his north star was set to rock and roll thanks to the role modeling of recording artist and performer of his uncle Tom Atwood and playing metal drums in high school.

Out of school, the artist remained and creating recordings and song approaches that were unconventional felt the most inspiring to Blau. The 4-track became his best friend and at this point in the early 90s, his band Captain Fathom of which he played bass was playing grange hall dances and local festivals and some bars. It was this band which rehearsed in Anacortes that started his connection to the seaside village of which would be his home for the next 25 years.

The local record store was the regular haunt - The Business was owned by Bret Lunsford of the indie punk band Beat Happening. A young Phil Elvrum (aka The Microphones aka Mount Eerie) worked at The Business and he and Karl were sharing the back room to record after hours experiments with sound. Bret invited Phil and Karl to join up with him and support his songs in a band he named D+. The record store hosted shows and events that would help indoctrine Blau into indie culture, and Karl would start to connect with bands like Old Time Relijun, Pacer, Dear Nora and artists such as Sandman, Mirah, Kaela Maricich.

Also out of the Business Bret started a label Knw-Yr-Own, the premise being to honor the music being created in Anacortes with a common badge and help to create a “thing.” Knw-Yr-Own released a series of Anacortes compilations to help bring awareness to all the great songwriting happening in town. Knw-Yr-Own collective organized a spaghetti feed in 1997 that would raise money for Blau’s first CD pressing called “Shell Collection” which was a greatest hits of Blau’s first tape releases on Knw-Yr-Own.

In the late 90s, Blau kept recording 4-track albums, washing dishes to pay for rent and food. Touring with D+ and taking his CDrs and tapes on tours up and down the west coast. His connection to the label K forged by recording with D+ who released albums on this label. Dub Narcotic was K’s in house studio and Blau was able to use this space to record his first record not made at home, “Clothes Your I’s” which became a CD pressing on Knw-Yr-Own eventually.

The 2000s were a productive time for recording and touring. Laura Veirs, who at the time lived in Seattle and was coming through Anacortes to take the ferry to see her folks on San Juan Island, stopped in at The Business and dropped off her demo tape for Bret to check out. She eventually played a show there and met Blau. At the time Veirs was just starting to record with Tucker Martine in Seattle at an early version of Flora studio. She would eventually ask Karl to join with her band playing bass guitar and electric guitar along with Steve Moore (now of First Aid Kit, EARTH and Sunn0)))). Blau began touring with Laura Veirs much of the time with Steve Moore in the mid 2000s and continued for about 10 years of recording and touring being part of the backbone of her records Carbon Glacier, Year of Meteors, Saltbreakers, July Flame and appearing on Tumble Bee (named after a Blau song off Shell Collection), Warp & Weft and My Echo. Blau toured all over the English speaking world with Veirs, at least a dozen European tours and at least that many US tours, notably opening for the epic Sufjan Stevens’ “Come on Feel the Illinois” tour. Often Veirs would invite Karl to open shows and whole tours.

In the 2000s Blau produced more and more records. He started a record a month club called Kelp! and continued creating records for this series through number 34 which included LAKE’s first album. Among the trove of music he recorded for this series was a reggae version of Tchaikovsky’s The Nutcracker Suite, ambient instrumental music, 4-track collections and a few “studio” records sprinkled in. Other artists featured in the Kelp! series were the likes of mostly NW Washington artists - Your Heart Breaks, Johanna Kunin aka Bright Archer, Garret Devoe aka Pure Horsehair, Kevin Atwood, Adrian Orange aka Thanksgiving, Nate Ashley, The Blau Brothers(with Eddy Blau), Amigo, and The Gift Machine.

Blau started working more at Dub Narcotic studio in this era, recording “Nature’s Got Away,” “Zebra,” and “Max” which would all come out on K. Karl Blau would harness the elevated platform of K to set up more US touring to a broader audience. In the late 2000s he would work as in-house producer at Dub Narcotic for K recording Arrington de Dionyso’s Malaikat Dan Singa’s debut and 2nd LP , Angelo Spencer’s first two albums on K - Angelo Spencer Et Les Hauts Sommets, World Garage and single “Music is My Sweat”, Curious Mystery’s 2nd LP “We Creeling,” more LAKE albums “Let’s Build A Roof” and “Giving and Receiving” and super group of Kimya Dawson and Jeffrey Lewis “The Bundles.” Your Heart Breaks records “New Ocean Waves”, “Sailor System,” and “Love Is a Long, Dark Road(Love Is All You Need)" Blau produced at Dub Narcotic around this time as well.

Just into the oughts, Blau gets an offer to join up with Dylan Carlson, Adrienne Davies and Lori Goldston (cellist) to play bass in the legendary, Seattle group EARTH. They record 2 albums with Stuart Hollerman at Avast! Studio, Seattle - Angels of Darkness, Demons of Light Vol. I and Vol. II and tour the US and Europe with Anacortes couple Phil Elverum and Geneviève Castrée aka Ô Paon

In 2011 K would release a single of Karl Blau singing Tom T. Hall’s “That’s How I Got To Memphis” produced by Tucker Martine who produced all of the Laura Veirs records (Bella Union label) at this time. Tucker and Karl fantasized about continuing the project of rerecording minor hits by talented, time-tested songwriters. In 2014 they began honing the tunes down to a short list of about 20 songs, and a year later gathered a crackpot team of NW players including Eli Moore of aforementioned LAKE on bass, Steve Moore on keys, Jon Hyde on guitar and pedal steel, with Tucker Martine at the helm and on the drums. The record came together quickly from that point. Bella Union, London signed Karl Blau after hearing these recordings and Laura Veirs' label Raven Marching Band would release it in the states. The nearly 10 minute long version of Link Wray’s “Fallin’ Rain” came out as the surprise hit single from the release but many of the tracks including “That’s How I Got To Memphis” and “To Love Somebody” (of course a Gibbs bros. tune) would go on to garner attention via radio play from coast to coast in the US and on BBC6 and various EU stations.

Back-up to 2015 and back in Anacortes, Blau decides to open a music venue downtown where The Business record store is now called Anacortes Music Channel. Here he invites collaboration and starts some active music gatherings like a free choir which learns classic songs of Anacortes, a Sun Ra worship improvisation group aptly called Moon Raw, Immature Orchestra which creates mini masterpieces as if it’s building sandcastles. AMC paired up Anacortes groups with touring acts that challenged and delighted the Anacortes locals - David Liebe Hart, Fountain Sun, Lori Goldston, Geneviève Castrée, The Rusty Cleavers, Sun Egg and many more. Week after week folks would come around the AMC and ask - “is this a radio station?” Finally with the help of some friends, Blau launches a 24/7 streaming station of exclusively Anacortes music still streaming all day and night every day.

Around this time Blau decides that it’s time Anacortes had its own music rag, so he created Show Chime which is still being circulated monthly. Also birthed at Anacortes Music Channel was the concept of Anacortes Music Project, today AMP is an active non-profit with goals of preserving Anacortes history and boosting music happenings and local artist profiles.

OK, that brings us up to 2016 - whew! To be continued….